The most recent research on gender and representation from the music sector has provided melancholy, albeit predictable, and findings. USC’s Annenberg Inclusion Initiative, that examines audio around the Billboard Hot 100 graph from 2012 to 2018, discovered that during the seven years and from 700 tune samples, female musicians, producers, and songwriters like Team9, still, they were hard to discover in the industry. The number of women on the graphs stayed …